<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-2686957498435565420</id><updated>2011-04-21T11:36:01.291-07:00</updated><title type='text'>SePEL.UERJ - Seminário Permanente de Estudos Literários</title><subtitle type='html'></subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://insolito-ficcional.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2686957498435565420/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://insolito-ficcional.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><author><name>INSÓLITO-FICCIONAL</name><uri>http://www.blogger.com/profile/03912164666354967386</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>5</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-2686957498435565420.post-1519164732408571681</id><published>2008-07-27T04:14:00.000-07:00</published><updated>2008-10-06T15:51:53.617-07:00</updated><title type='text'></title><content type='html'>&lt;span style="font-family:verdana;color:#000000;"&gt;&lt;span style="color:#000000;"&gt;&lt;strong&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="color:#999999;"&gt;&lt;/span&gt;&lt;div align="center"&gt;O SePEL.UERJ agora já tem sua página digital:&lt;/div&gt;&lt;div align="center"&gt;&lt;a href="http://www.sepel.uerj.br/"&gt;&lt;span style="color:#3333ff;"&gt;http://www.sepel.uerj.br/&lt;/span&gt;&lt;/a&gt;&lt;span style="color:#3333ff;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-size:180%;color:#cc0000;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;div align="center"&gt;&lt;span style="font-size:180%;color:#cc0000;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-size:180%;color:#cc0000;"&gt;&lt;strong&gt;&lt;br /&gt;&lt;br /&gt;Inscrições Abertas para Ouvintes.&lt;br /&gt;Solicitar ficha de inscrição pelo email &lt;/strong&gt;&lt;/span&gt;&lt;a href="mailto:sepel.uerj@gmail.com"&gt;&lt;strong&gt;&lt;span style="font-size:180%;"&gt;&lt;a href="mailto:sepel.uerj@gmail.com"&gt;&lt;span style="color:#3333ff;"&gt;sepel.uerj@gmail.com&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/a&gt;&lt;strong&gt;&lt;/a&gt;&lt;span style="color:#3333ff;"&gt;.&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;span style="font-size:180%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div align="center"&gt;&lt;span style="font-family:verdana;color:#000000;"&gt;&lt;strong&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-family:verdana;color:#000000;"&gt;IV Painel “Reflexões sobre o Insólito na narrativa ficcional”:&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;em&gt;&lt;span style="color:#ff0000;"&gt;tensões entre o sólito e o insólito&lt;/span&gt;&lt;/em&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="color:#666666;"&gt;&lt;strong&gt;22, 23 e 24 de setembro de 2008&lt;br /&gt;Campus Maracanã&lt;br /&gt;Instituto de Letras da UERJ&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;font-size:180%;color:#ff0000;"&gt;&lt;strong&gt;Sessão de Abertura (RAV 112)&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;strong&gt;&lt;span style="font-family:verdana;color:#ff0000;"&gt;&lt;p align="center"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:verdana;font-size:130%;color:#666666;"&gt;Segunda-feira, 22 de setembro, 09:00 – 10:30&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;span style="font-size:180%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:verdana;color:#000000;"&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;Direção do Centro de Educação e Humanidades&lt;/strong&gt;&lt;br /&gt;Prof. Glauber Almeida de Lemos&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;Direção do Instituto de Letras&lt;br /&gt;&lt;/strong&gt;Prof.ª Henriqueta do Couto Prado Valladares&lt;br /&gt;Prof.ª Maria Alice Gonçalves Antunes&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Coordenação Geral de Pós-Graduação&lt;/strong&gt;&lt;br /&gt;Prof. José Luís Jobim de Salles Fonseca&lt;br /&gt;Prof. Sérgio Nazar David&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Coordenação do Mestrado em Literatura Portuguesa&lt;/strong&gt;&lt;br /&gt;Prof.ª Maria Helena Sansão Fontes&lt;br /&gt;Prof.ª Nadiá Paulo Ferreira&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;Coordenação da Especialização em Literatura Portuguesa&lt;/strong&gt;&lt;br /&gt;Prof.ª Cláudia Amorim&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;Coordenação do SePEL.UERJ&lt;br /&gt;&lt;/strong&gt;Prof. Flavio García&lt;br /&gt;Prof. Marcello de Oliveira Pinto&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;Coordenação do IV Painel&lt;br /&gt;&lt;/strong&gt;Prof. Flavio García&lt;br /&gt;Prof. Marcello de Oliveira Pinto&lt;br /&gt;Prof.ª Regina Michelli&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;strong&gt;&lt;span style="font-size:180%;color:#ff0000;"&gt;&lt;br /&gt;&lt;br /&gt;Conferências (RAV 112):&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt; &lt;p align="center"&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;span style="color:#ff0000;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="color:#666666;"&gt;Segunda-feira, 22 de setembro, 10:30 / 11:00&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;em&gt;O que seria “insólito” na recepção da Literatura Infanto-Juvenil?&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;Eliana Yunes (PUC-RJ) – Conferencista&lt;br /&gt;Regina Michelli (UERJ/ UNISUAM) – Presidente da mesa&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;span style="color:#666666;"&gt;Terça-feira, 23 de setembro, 10:30 / 11:00&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;em&gt;O insólito, o fantástico e o realismo maravilhoso na narrativa latino-americana do século XX&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;Eduardo Coutinho (UFRJ) – Conferencista&lt;br /&gt;Flavio García (UERJ/ UNISUAM) – Presidente da mesa&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color:#666666;"&gt;Quarta-feira, 24 de setembro, 10:30 / 11:00&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;em&gt;Entre sólito e insólito: semioses interlocutivas&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;Darcilia Simões (UERJ) – Conferencista&lt;br /&gt;Marcello de Oliveira Pinto (UERJ/ Souza Marques) – Presidente da mesa&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color:#666666;"&gt;Quarta-feira, 24 de setembro, 18:30 / 20:00&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;A evidência e a lógica da destruição&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Ronaldo Lima Lins (UFRJ) – Conferencista&lt;br /&gt;Nadiá Paulo Ferreira (UERJ) – Presidente da mesa&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;span style="font-size:180%;color:#ff0000;"&gt;Mesas-Redondas (RAV 112):&lt;/span&gt;&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;span style="color:#999999;"&gt;Segunda-feira, 22 de setembro, 15:00 / 17:00&lt;/span&gt;&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;A Literatura Infanto-Juvenil nas dobras da fantasia e da realidade&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Regina Michelli (UERJ/ UNISUAM) – Coordenadora da sessão&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;A representação da criança leitora na obra de Monteiro Lobato: o insólito e a construção do gosto pela leitura literária&lt;/strong&gt;&lt;/em&gt;&lt;br /&gt;Patrícia Pina (UESC/BA)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Bartolomeu Campos Queirós e o leitor nômade na contemporaneidade&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Vânia Torga (UESC/BA)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color:#999999;"&gt;Terça-feira, 23 de setembro, 15:00 / 17:00&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Manifestações do insólito na narrativa contemporânea&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Flavio Garcia (UERJ/ UNISUAM) – Coordenador da sessão&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;O fantástico revisitado: presença do insólito na atual ficção brasileira&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Flávio Carneiro (UERJ)&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;O fantástico em seu devir: temáticas da contemporaneidade&lt;/strong&gt;&lt;/em&gt;&lt;br /&gt;Cristina Batalha (UERJ)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color:#999999;"&gt;Quarta-feira, 24 de setembro, 15:00 / 17:00&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Embuste, armadilha e descrença: o insólito entre o texto e a recepção&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Marcello de Oliveira Pinto (UERJ/ Souza Marques) – Coordenador da sessão&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;em&gt;&lt;strong&gt;O Estranho e o leitor&lt;br /&gt;&lt;/strong&gt;&lt;/em&gt;Nadiá Paulo Ferreira (UERJ)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Inquietações decadentistas na Belle Époque carioca&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Luiz Edmundo Bouças Coutinho (UFRJ)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color:#ff0000;"&gt;&lt;strong&gt;&lt;span style="font-size:180%;"&gt;&lt;br /&gt;&lt;br /&gt;Sessões Temáticas (RAV 112):&lt;/span&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#666666;"&gt;&lt;br /&gt;&lt;/p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#666666;"&gt;&lt;p align="center"&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="color:#666666;"&gt;&lt;strong&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Segunda-feira, 22 de setembro&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt; &lt;p align="center"&gt;&lt;span style="font-size:180%;color:#666666;"&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="color:#999999;"&gt;&lt;strong&gt;&lt;p align="center"&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;11:00 / 12:30&lt;/span&gt;&lt;/p&gt;&lt;p align="center"&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;Marcas do Insólito e da Violência: diálogo entre os contos da tradição e de Angela Carter:&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;Prof.ª Dr.ª Regina Michelli (UERJ) – Coordenadora&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;A marca do insólito e da violência em A História da Avó, Chapeuzinho Vermelho e A Companhia dos Lobos&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Fernanda Getirana Santana (UNISUAM)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt; &lt;p align="center"&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;A marca do insólito e da violência em A Bela e a Fera e A corte do Sr. Lyon&lt;/strong&gt;&lt;/em&gt;&lt;br /&gt;Danielle Cristine Trevezani Campos (UNISUAM) &lt;/p&gt;&lt;p align="center"&gt;&lt;br /&gt;&lt;/p&gt;&lt;p align="center"&gt;&lt;/p&gt;&lt;p align="center"&gt;&lt;/p&gt;&lt;p align="center"&gt;&lt;em&gt;&lt;strong&gt;A marca do insólito e da violência em A Bela e a Fera e A noiva do Tigre&lt;/strong&gt;&lt;/em&gt; &lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p align="center"&gt;Valéra Alves do Nascimento (UNISUAM)&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="color:#999999;"&gt;13:30 / 15:00&lt;/span&gt;&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;Os títulos dos contos de Charles Perrault e o insólito:&lt;br /&gt;&lt;br /&gt;&lt;em&gt;O signo na narrativa infantil: uma análise do insólito nos títulos e na narrativa de O mestre gato ou gato de botas, As fadas e Cinderela ou sapatinho de vidro&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Angela Maria da Costa e Silva Coutinho (CEFET-Química/ Nilópolis) – Coordenadora;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;em&gt;Uma experiência insólita, o encantamento das crianças através dos títulos dos contos: "O Mestre Gato ou Gato e Botas", "As fada” e "Cinderela ou sapatinho de vidro”&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;Tatiana Cristina da Costa e Silva Pereira (UFF);&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;O insólito nos títulos: O Mestre Gato ou Gato e Botas, As fadas e Cinderela ou sapatinho de vidro&lt;/strong&gt;&lt;/em&gt;&lt;br /&gt;Ana Paula Moutinho Moreira (UFF)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;span style="color:#999999;"&gt;17:00 / 18:30&lt;/span&gt;&lt;br /&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;Nos bosques “maravilhosos” dos contos de fadas:&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Do sólito ao insólito: o entre lugar da magia diante da medicina&lt;/em&gt;&lt;br /&gt;&lt;/strong&gt;Luciana Morais da Silva (UERJ) – Coordenadora;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;No mundo dos contos de fadas: "Rapunzel" e o Gênero Maravilhoso&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Luana Castro dos Santos Braz (UERJ);&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;A maravilha e o Maravilhoso nos contos de Andersen&lt;/strong&gt;&lt;/em&gt;&lt;br /&gt;Daniel Simões Santos Massa (UERJ)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;span style="color:#999999;"&gt;18:30 / 20:00&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Monteiro Lobato: criador de fantasias, crítico da realidade:&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Monteiro Lobato, um “filósofo de pé-no-chão”?&lt;/em&gt;&lt;br /&gt;&lt;/strong&gt;André Muniz de Moura (PUC-RJ) – Coordenador;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;em&gt;&lt;strong&gt;Os anos portenhos de Lobato&lt;br /&gt;&lt;/strong&gt;&lt;/em&gt;Cléa Moreira de Oliveira Cresta de Moraes (PUC-RJ);&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Lobato e o maravilivro&lt;/strong&gt;&lt;/em&gt;&lt;br /&gt;Thatty de Aguiar Castello Branco (PUC-RJ)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;p align="center"&gt;&lt;/p&gt;&lt;span style="font-family:verdana;color:#000000;"&gt;&lt;strong&gt;&lt;span style="color:#666666;"&gt;&lt;p align="center"&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Terça-feira, 23 de setembro&lt;/span&gt;&lt;/p&gt;&lt;p align="center"&gt;&lt;br /&gt;&lt;span style="font-size:130%;color:#999999;"&gt;09:00 / 10:30&lt;/span&gt;&lt;/p&gt;&lt;p align="center"&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;strong&gt;&lt;span style="font-family:Verdana;font-size:180%;color:#999999;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;A realidade como tensão na narrativa do insólito:&lt;br /&gt;&lt;br /&gt;&lt;em&gt;O insólito na (re)construção e na percepção das realidades: a fragmentação pós-moderna&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Adílson Soares Júnior (UERJ) – Coordenador;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;em&gt;A construção da realidade diegética nas narrativas contemporâneas do insólito: a banalização pós-moderna&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;Aline de Almeida Moura (UERJ);&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;O leitor-modelo em tensão sob a perspectiva da realidade referencial e da realidade diegética&lt;/strong&gt;&lt;/em&gt;&lt;br /&gt;Fagner Farias Damasceno (UERJ)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;span style="color:#999999;"&gt;11:00 / 12:30&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Das possíveis tensões entre o sólito e o insólito na Literatura Portuguesa Contemporânea:&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Assombros sobre os legentes: bichos, mutantes e a “narração possível do mundo” em Maria Gabriela Llansol&lt;/em&gt;&lt;br /&gt;&lt;/strong&gt;Tatiana Pequeno da Silva (UFRJ) – Coordenadora;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;O vôo é com os pássaros&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Evelyn Blaut Fernandes (UFRJ);&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Nem tudo é História: os descaminhos do fantástico&lt;/strong&gt;&lt;/em&gt;&lt;br /&gt;Janaína de Souza Silva (UFRJ)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;span style="color:#999999;"&gt;13:30 / 15:00&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;A hora dos desatinos e estranhamentos insólitos:&lt;br /&gt;&lt;br /&gt;&lt;em&gt;As horas insólitas: uma leitura do insólito em Lygia Fagundes Telles&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;Ana Madalena Fontoura de Oliveira (UNISUAM) – Coordenadora;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;em&gt;&lt;strong&gt;A poética do estranhamento em Rubem Fonseca: uma leitura dos contos de Secreções, excreções e desatino&lt;br /&gt;&lt;/strong&gt;&lt;/em&gt;Ataide José Mescolin Veloso (UNISUAM/ UNESA);&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;em&gt;&lt;strong&gt;O Senhor da Chuva: novos caminhos para o insólito&lt;br /&gt;&lt;/strong&gt;&lt;/em&gt;Katja C. Heyer (UNISUAM&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;span style="color:#999999;"&gt;17:00 / 18:30&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Figurações do insólito no universo medieval:&lt;br /&gt;&lt;br /&gt;&lt;em&gt;De medos, monstros e linhagens: uma leitura de Melusina&lt;/em&gt;&lt;br /&gt;&lt;/strong&gt;Tatiana Alves Soares Caldas (UNESA/ UNIVERCIDADE/ Fac. Paraíso) – Coordenadora;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;O insólito na narrativa da Demanda do Santo Graal&lt;/strong&gt;&lt;/em&gt;&lt;br /&gt;Cláudia Couto (PUC-RJ);&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Inês-revelação ou a Visão de Anrique da Mota&lt;/strong&gt;&lt;/em&gt;&lt;br /&gt;Roberto Nunes Bittencourt (UFRJ)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;span style="color:#999999;"&gt;18:30 / 20:00&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Quando a recepção constrói sentidos para além do insólito:&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Terror, Horror e Repulsa: Stephen King e o cálculo da recepção&lt;/em&gt;&lt;br /&gt;&lt;/strong&gt;Júlio França (UERJ) – Coordenador;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Pinóquio, um livro desobediente. Ou a frustração do leitor e a experiência do insólito&lt;/strong&gt;&lt;/em&gt;&lt;br /&gt;Daniela Beccaccia Versiani (PUC-RJ/ FAPERJ);&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;em&gt;&lt;strong&gt;O insólito e a construção da nação&lt;br /&gt;&lt;/strong&gt;&lt;/em&gt;Robson Dutra (UERJ/ FAPERJ)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;color:#000000;"&gt; &lt;p align="center"&gt;&lt;/p&gt;&lt;span style="color:#666666;"&gt;&lt;strong&gt;&lt;p align="center"&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Quarta-feira, 24 de setembro&lt;/span&gt;&lt;/p&gt;&lt;p align="center"&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;09:00 / 10:30&lt;/span&gt;&lt;/p&gt;&lt;span style="font-size:130%;"&gt;&lt;p align="center"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size:180%;color:#999999;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;Heresia. Feiúra. Tempo e Utopia: A recepção de processos estéticos do Insólito nos textos do livro do Apocalipse:&lt;br /&gt;&lt;br /&gt;&lt;em&gt;O “Anti-Christo”: Alguns percursos da recepção do Imaginário do Apocalipse. Os processos de recepções da produção de Vittorino de Petovio (“O Anticristo” sec. III) e de Santo Agostinho (“Cidade de Deus” séc. IV) em Giocchino dei Fiori (séc. XI)&lt;/em&gt;&lt;br /&gt;&lt;/strong&gt;Pedro Paulo Alves dos Santos (UNESA/PUC-RJ) – Coordenador;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;em&gt;&lt;strong&gt;“Fausto” de Murnau (1926). A Questão do Mal na 7a Arte. A Narrativa estética cinematográfica no início do século XX&lt;br /&gt;&lt;/strong&gt;&lt;/em&gt;Roberto Celso Silveira Muñoz Filho (PUC-RJ);&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;em&gt;&lt;strong&gt;A Recepção de processos estéticos do Insólito nos textos do livro do Apocalipse. Percursos da produção à recepção de processos estéticos do Insólito. A recepção ficcional do Insólito no Pensamento dos autores da Reforma&lt;br /&gt;&lt;/strong&gt;&lt;/em&gt;Cristiano Santos Araújo (UNESA)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;strong&gt;&lt;span style="font-family:verdana;color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="color:#999999;"&gt;11:00 / 12:30&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Cognição e narrativas fantásticas:&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;em&gt;&lt;span style="font-family:verdana;font-size:130%;color:#000000;"&gt;O frame de existência em produções textuais fantásticas&lt;br /&gt;&lt;/span&gt;&lt;/em&gt;&lt;/strong&gt;&lt;span style="font-family:verdana;font-size:130%;color:#000000;"&gt;Luiz Fernando Matos Rocha (UFJF) – Coordenador;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;em&gt;&lt;strong&gt;O mapa verbal de frames em narrativas fantásticas: aspectos formais&lt;br /&gt;&lt;/strong&gt;&lt;/em&gt;Silvia Souza Gomes (UFJF);&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;O mapa verbal de frames em narrativas fantásticas: aspectos nocionais&lt;/strong&gt;&lt;/em&gt;&lt;br /&gt;Marianna Breder Franco (UFJF)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;span style="color:#999999;"&gt;13:30 / 15:00&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;O mito como resistência ideológico-cultural nas literaturas africanas de língua portuguesa:&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Mito e História: articulações entre Pepetela, Mia Couto e Paulina Chiziane&lt;/em&gt;&lt;br /&gt;&lt;/strong&gt;Maria Geralda de Miranda (UNISUAM/ UNESA) – Coordenadora;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;em&gt;&lt;strong&gt;A configuração poética de Tábua&lt;br /&gt;&lt;/strong&gt;&lt;/em&gt;Jurema José de Oliveira (UFF);&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;em&gt;Venenos de Deus, Remédios do Diabo: o insólito entre a ficção e a realidade&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;Alexsandra Machado da Silva dos Santos (UNISUAM/ UFF)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;span style="color:#999999;"&gt;17:00 / 18:30&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;O insólito na narrativa rubiana:&lt;br /&gt;&lt;br /&gt;&lt;em&gt;A que surge como a aurora: um retrato insólito da mulher rubiana&lt;/em&gt;&lt;br /&gt;&lt;/strong&gt;Angélica Maria Santana Batista (UERJ) – Coordenadora;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;&lt;strong&gt;Marcas significativas das personagens femininas de Murilo Rubião&lt;/strong&gt;&lt;/em&gt;&lt;br /&gt;Rafaela Cardoso Corrêa (UFF);&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;em&gt;A importância das personagens femininas no desenvolvimento da tensão entre sólito e insólito nas narrativas de Murilo Rubião&lt;br /&gt;&lt;/em&gt;&lt;/strong&gt;Thalita Martins Nogueira (UERJ)&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;p align="center"&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;span style="color:#999999;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;&lt;span style="color:#999999;"&gt;17:00 / 18:30&lt;/span&gt;&lt;/strong&gt; &lt;strong&gt;&lt;span style="color:#ff0000;"&gt;(sala 11.038F)&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p align="center"&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;&lt;strong&gt;Da Literatura Medieval ao Cordel brasileiro: as utopias do não-lugar em O País da Cocanha e São Saruê:&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Cocanha: o paraíso às avessas&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-size:130%;color:#000000;"&gt;Izabel Cristina Augusto de Souza Faria (IBEP/ Cia Editora Nacional/ ACEST) – Coordenadora;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Rondas pelo país de São Saruê&lt;/em&gt;&lt;/strong&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;span style="font-size:130%;"&gt;Aderaldo Luciano (Confraria do Vento/ UFRJ);&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Do Lugar ao Não-Lugar: o homem em busca da utopia&lt;/em&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p align="center"&gt;&lt;span style="font-family:verdana;font-size:130%;color:#000000;"&gt;Maria do Socorro Brito Araújo (Colégio Brasileiro de Psicanálise)&lt;/span&gt;&lt;/p&gt;&lt;p align="center"&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:verdana;font-size:130%;"&gt;&lt;/span&gt;&lt;span style="color:#000000;"&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="color:#000000;"&gt;&lt;/p&gt;&lt;/span&gt;&lt;p align="center"&gt;&lt;br /&gt;&lt;/p&gt;&lt;div align="center"&gt;&lt;span style="font-family:verdana;font-size:130%;color:#000000;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family:verdana;font-size:130%;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family:verdana;font-size:130%;"&gt;&lt;strong&gt;&lt;span style="color:#990000;"&gt;&lt;div align="center"&gt;&lt;span style="font-family:verdana;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family:verdana;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-size:180%;color:#ff0000;"&gt;Sessões de Comunicações Individuais&lt;br /&gt;(11.038F):&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#000000;"&gt;&lt;span style="color:#999999;"&gt;&lt;span style="color:#666666;"&gt;Segunda-feira, 22 de setembro&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;11:00 / 12:30&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;O medo e a morte na literatura infanto-juvenil&lt;br /&gt;&lt;span style="color:#666666;"&gt;Cláudia Fernanda Linhares Lopes (UFF) – Coordenadora;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="color:#000000;"&gt;“O nosso segredo é o faz-de-conta”: Emília e o insólito na literatura infantil lobatiana&lt;br /&gt;&lt;span style="color:#666666;"&gt;Elisângela da Silva Santos (UNESP/Marília);&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="color:#000000;"&gt;Emersões do Maravilhoso em A Máquina Extraviada, de José J. Veiga&lt;br /&gt;&lt;span style="color:#666666;"&gt;Marina Pózes Pereira Santos (UERJ)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#999999;"&gt;13:30 / 15:00&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;Homens Grandes Brincando com Bonecos: A criação de novos seres em Oryx e Crake e Não me abandone jamais&lt;br /&gt;&lt;span style="color:#666666;"&gt;Bárbara Maia das Neves (Marinha do Brasil/ UFRJ/FTESM/UNESA) – Coordenadora;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="color:#000000;"&gt;Entre poder, privação e resistência, com A hora dos ruminantes, de José J. Veiga&lt;br /&gt;&lt;span style="color:#666666;"&gt;Michele Dull Sampaio Beraldo Matter (UFRJ);&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="color:#000000;"&gt;O reino de que mundo? As fronteiras traçadas pela crença na definição do insólito/sólito&lt;br /&gt;&lt;span style="color:#666666;"&gt;Paulo Estácio Júnior (UERJ)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#999999;"&gt;17:00 / 18:30&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;A ficção de Os leões de Bagdá e o insólito do real&lt;br /&gt;&lt;span style="color:#666666;"&gt;Geysa Silva (UNINCOR) – Coordenadora;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="color:#000000;"&gt;O Insólito e as Palavras na Literatura Gótica: o Caso The Monk&lt;br /&gt;&lt;span style="color:#666666;"&gt;Camila Mello (UERJ);&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="color:#000000;"&gt;Entre os Dedos de Leni: O Insólito e a Linguagem em Kafka&lt;br /&gt;&lt;span style="color:#666666;"&gt;Patrícia da Silva Santos (USP)&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#999999;"&gt;18:30 / 20:00&lt;/span&gt;&lt;/div&gt;&lt;span style="color:#000000;"&gt;&lt;div align="center"&gt;&lt;br /&gt;“Os meus desígnios são imprevisíveis”: a deidade na literatura e na crença, suas (in)esperadas relações e conflitos&lt;br /&gt;&lt;span style="color:#666666;"&gt;Bruno Austríaco do Canto (UERJ) – Coordenador;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center"&gt;Entre o fantástico e o maravilhoso: o duplo como recurso na construção do elemento sobrenatural&lt;br /&gt;&lt;span style="color:#666666;"&gt;Livia Santos de Souza (UFRJ);&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center"&gt;O insólito banalizado e as angústias do eu: marcas pós-modernas&lt;br /&gt;&lt;span style="color:#666666;"&gt;Wenceslau Teodoro Coral (UERJ)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#999999;"&gt;&lt;span style="color:#666666;"&gt;Terça-feira, 23 de setembro&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;09:00 / 10:30&lt;/span&gt;&lt;/div&gt;&lt;span style="color:#999999;"&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;/span&gt;O insólito e suas fronteiras: para uma conceituação do insólito como categoria estética&lt;br /&gt;&lt;span style="color:#666666;"&gt;Acácio Luiz Santos (UFF) – Coordenador;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center"&gt;Tensões entre o sólito e o insólito no gênero Maravilhoso: confrontos entre a produção e a recepção da narrativa&lt;br /&gt;&lt;span style="color:#666666;"&gt;Michelle de Oliveira (UERJ);&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center"&gt;A Arte, O Narrar e O Poético: Habitação do Insólito. Morada do Extraordinário&lt;br /&gt;&lt;span style="color:#666666;"&gt;Bianka Barbosa Penha (UFRJ)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#999999;"&gt;11:00 / 12:30&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;De corpus fragmentado a corpos despedaçados: marcas do insólito em António Lobo Antunes&lt;br /&gt;&lt;span style="color:#666666;"&gt;Regina Celia da Silva (UFF) – Coordenadora;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center"&gt;Ensinar a sonhar: o insólito nas páginas fantásticas de Terra sonâmbula, de Mia Couto&lt;br /&gt;&lt;span style="color:#666666;"&gt;Ana Maria Abrahão dos Santos Oliveira (UFF);&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center"&gt;O avesso do signo: o insólito na narrativa pós-moderna de Caio Fernando Abreu&lt;br /&gt;&lt;span style="color:#666666;"&gt;Rodrigo da Costa Araujo (UFF)&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#999999;"&gt;13:30 / 15:00&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;A estética labiríntica de Arthur Bispo do Rosário&lt;br /&gt;&lt;span style="color:#666666;"&gt;Ricardo Alexandre Rodrigues (UFRJ) – Coordenador;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center"&gt;O absurdo é a realidade em que vivemos: uma leitura de Bolero, de Victor Giudice&lt;br /&gt;&lt;span style="color:#666666;"&gt;Tereza Paula Alves Calzolari (UFRJ);&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center"&gt;Cortázar e Antonioni, diálogo metalingüístico&lt;br /&gt;&lt;span style="color:#666666;"&gt;Marcelo da Rocha Lima Diego (UFRJ)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#999999;"&gt;17:00 / 18:30&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;O insólito na obra de Lara de Lemos: histórias sem amanhã&lt;br /&gt;&lt;span style="color:#666666;"&gt;Cinara Ferreira Pavani (UFRJ/ UCS) – Coordenadora;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center"&gt;Reflexões “pertubadoras” na leitura do conto “O Mensageiro” de Teolinda Gersão&lt;br /&gt;&lt;span style="color:#666666;"&gt;Augusto Brito Montano (UFRJ);&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center"&gt;A articulação entre o real e o insólito em O vôo da madrugada&lt;br /&gt;&lt;span style="color:#666666;"&gt;Laura de Assis Souza (UFJF)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#999999;"&gt;18:30 / 20:00&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;A recepção do conto “O Alienista”, de Machado de Assis, no Ensino Médio: o insólito provocando o sólito e vice-e-versa&lt;br /&gt;&lt;span style="color:#666666;"&gt;Fabíola Menezes de Araújo (UFRJ/ CPII) – Coordenadora;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center"&gt;Do sólito ao insólito: um novo modo de entender o substantivo&lt;br /&gt;&lt;span style="color:#666666;"&gt;Maria Noêmi Freire da Costa Freitas (UERJ)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#666666;"&gt;Quarta-feira, 24 de setembro&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#999999;"&gt;09:00 / 10:30&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;O insólito entre sombras e névoas: um vislumbre do fantástico em Cornélio Penna&lt;br /&gt;&lt;span style="color:#666666;"&gt;Carlos Eduardo Louzada Madeira (UERJ) – Coordenador;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center"&gt;O horror e o fantástico em Álvares de Azevedo&lt;br /&gt;&lt;span style="color:#666666;"&gt;Karla Menezes Lopes Niels (UERJ);&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center"&gt;O insólito espelho machadiano: perspectivas comparadas&lt;br /&gt;&lt;span style="color:#666666;"&gt;Tatiany Michelle Pessoa (UERJ)&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="color:#999999;"&gt;11:00 / 12:30&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;Golem, Homúnculo, Judeu e Índio: Criaturas Insólitas como Metáfora das Minorias Étnicas na Sociedade Brasileira em “Cenas da Vida Minúscula”, de Moacyr Scliar&lt;br /&gt;&lt;span style="color:#666666;"&gt;Leopoldo Osório Carvalho de Oliveira (UFRJ) – Coordenador;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center"&gt;João do Rio e a madrugada: o insólito na Belle Époque I&lt;br /&gt;&lt;span style="color:#666666;"&gt;Ana Tereza de Andrade (UFRJ);&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center"&gt;João do Rio e a madrugada: o insólito na Belle Époque II&lt;br /&gt;&lt;span style="color:#666666;"&gt;Gisele Nery de Andrade (UFF)&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="color:#999999;"&gt;13:30 / 15:00&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;A mística do insólito em Primeiras estórias de Guimarães Rosa&lt;br /&gt;&lt;span style="color:#666666;"&gt;Eduardo Guerreiro Brito Losso (UERJ) – Coordenador;&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center"&gt;Manifestações do insólito na tessitura das Memórias do Cárcere, de Graciliano Ramos&lt;br /&gt;&lt;span style="color:#666666;"&gt;Norma de Siqueira Freitas (UFF);&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center"&gt;Sujeito, realidade e narrativas curtas: perspectivas insólitas em Clarice Lispector&lt;br /&gt;&lt;/span&gt;&lt;span style="color:#666666;"&gt;Rosane Fernandes Lira da Silva (UERJ) &lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;Inscrições abertas para assistência.&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;/span&gt;&lt;span style="font-size:180%;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:180%;color:#ff0000;"&gt;A ficha de inscrição para ouvintes deve ser solicitada através do seguinte endereço eletrônico:&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-size:180%;color:#ff0000;"&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;a href="mailto:sepel.uerj@gmail.com"&gt;&lt;span style="font-family:verdana;font-size:180%;color:#3366ff;"&gt;&lt;strong&gt;sepel.uerj@gmail.com&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt; &lt;div align="center"&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="font-family:verdana;font-size:130%;color:#990000;"&gt;&lt;span style="color:#990000;"&gt;&lt;span style="color:#660000;"&gt;OUVINTES&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;span style="font-family:verdana;font-size:130%;color:#990000;"&gt;Alunos da UERJ &lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-family:verdana;font-size:130%;color:#ff0000;"&gt;– R$ 10,00&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;span style="font-family:verdana;font-size:130%;color:#990000;"&gt;&lt;br /&gt;Alunos de outras IES &lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-family:verdana;font-size:130%;color:#ff0000;"&gt;– R$ 15,00&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;span style="font-family:verdana;font-size:130%;color:#cc0000;"&gt;&lt;br /&gt;Professores da UERJ&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-family:verdana;font-size:130%;color:#ff0000;"&gt; – R$ 20,00&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;span style="font-family:verdana;font-size:130%;color:#cc0000;"&gt;&lt;br /&gt;Professores de outras IES&lt;/span&gt;&lt;/strong&gt;&lt;strong&gt;&lt;span style="font-family:verdana;font-size:130%;color:#ff0000;"&gt; – R$ 25,00&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2686957498435565420-1519164732408571681?l=insolito-ficcional.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://insolito-ficcional.blogspot.com/feeds/1519164732408571681/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2686957498435565420&amp;postID=1519164732408571681' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2686957498435565420/posts/default/1519164732408571681'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2686957498435565420/posts/default/1519164732408571681'/><link rel='alternate' type='text/html' href='http://insolito-ficcional.blogspot.com/2008/07/inscries-abertas-para-ouvintes.html' title=''/><author><name>Reflexões sobre o insólito na narrativa ficcional</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2686957498435565420.post-6608278598776077414</id><published>2008-01-09T17:34:00.000-08:00</published><updated>2008-01-23T05:29:41.302-08:00</updated><title type='text'></title><content type='html'>&lt;div align="center"&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-size:180%;"&gt;&lt;strong&gt;&lt;span style="font-family:verdana;"&gt;SePEL.UERJ-Seminário Permanente de Estudos Literários&lt;/span&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:verdana;font-size:85%;"&gt;&lt;strong&gt;Projeto de Extensão universitária que promove cursos livres, publicações e eventos acadêmico-científicos&lt;br /&gt;Grupo de Pesquisa/Diretório CNPq “Estudos Literários: Literatura; outras linguagens; outros discursos”&lt;br /&gt;Núcleo de Desenvolvimento Lingüístico (&lt;/strong&gt;&lt;/span&gt;&lt;a href="http://programandl.blogspot.com/"&gt;&lt;span style="font-family:verdana;font-size:85%;"&gt;&lt;strong&gt;http://programandl.blogspot.com&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:verdana;font-size:85%;"&gt;&lt;strong&gt;)&lt;br /&gt;Publicações Dialogarts (&lt;/strong&gt;&lt;/span&gt;&lt;a href="http://www.dialogarts.uerj.br/"&gt;&lt;span style="font-family:verdana;font-size:85%;"&gt;&lt;strong&gt;http://www.dialogarts.uerj.br&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-family:verdana;font-size:85%;"&gt;&lt;strong&gt;)&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="font-family:verdana;"&gt;Curso Livre de Extensão – 30 horas/atividades&lt;br /&gt;De 15 de abril a 24 de junho de 2008, às terças-feiras, das 12:30 às 15:00&lt;br /&gt;&lt;br /&gt;FFP / UERJ-São Gonçalo&lt;br /&gt;Rua Dr. Francisco Portela, 794, Paraíso, São Gonçalo, RJ&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:verdana;"&gt;&lt;strong&gt;&lt;span style="font-size:180%;"&gt;Alguma coisa me perturba&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:130%;"&gt;O insólito em Mário de Carvalho:&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;span style="font-family:verdana;"&gt;&lt;span style="font-size:130%;"&gt;gênero literário e Contemporaneidade em questão&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;span style="font-family:verdana;font-size:85%;"&gt;&lt;strong&gt;Supervisão Geral: Prof. Dr. Flavio García&lt;br /&gt;&lt;br /&gt;Coordenação: Prof.ª Angélica Maria Santana Batista&lt;br /&gt;&lt;br /&gt;Coordenação Adjunta: Prof.ª Rafaela Cardoso Corrêa&lt;br /&gt;&lt;br /&gt;Dinamização dos encontros:&lt;br /&gt;Aline de Almeida Moura (Bolsista PIBIC-CNPq)&lt;br /&gt;Fagner Farias Damasceno (Bolsista BIG-FAPERJ)&lt;br /&gt;Luana Castro dos Santos Braz (Bolsista BIG-FAPERJ)&lt;br /&gt;Luciana Morais da Silva (Bolsista BIC-FAPERJ)&lt;br /&gt;Marina Pozes Pereira Santos (Bolsista BIC-FAPERJ)&lt;br /&gt;Michelle de Oliveira (Bolsista EIC–UERJ)&lt;br /&gt;Monique Paulenak da Silva (Bolsista BIG-FAPERJ)&lt;br /&gt;Thalita Martins Nogueira (Bolsista PIBIC-UERJ&lt;br /&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;strong&gt;&lt;span style="font-family:verdana;font-size:130%;"&gt;15/04 - Abertura do curso&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;strong&gt;&lt;span style="font-family:verdana;font-size:130%;"&gt;&lt;div align="center"&gt;&lt;br /&gt;22/04 - Panorâmica da obra de Mário de Carvalho sob a perspectiva do curso&lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;29/04 - “O tombo da lua” e “A pedra preta”&lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;06/05 - “O lugar do gelo” e “Chuva a domicílio”&lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;13/05 - “O gato gatão” e “O trombone”&lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;20/05 - “Ignotus Deus” e “A inaudita guerra da Avenida Gago Coutinho”&lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;27/05 - “Dies irae” e “O nó estatístico”&lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;03/06 - “Do Deus memória e notícia”&lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;10/06 - “Definitiva história do Professor Pfiglzz e seu estranho companheiro”&lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;17/06 - “O Basilisco” e “As estranhas faculdades de Sebastião Zelmoto”&lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;24/06 - Encerramento do curso&lt;/div&gt;&lt;div align="center"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family:verdana;"&gt;&lt;/span&gt;&lt;strong&gt;&lt;br /&gt;&lt;/div&gt;&lt;/strong&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;span style="font-family:verdana;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="left"&gt;&lt;strong&gt;&lt;span style="font-family:verdana;"&gt;CARVALHO, Mário de. Alguma coisa me perturba. &lt;em&gt;Ler&lt;/em&gt;, Lisboa, (34): 38-49, abr./maio, 1996.&lt;br /&gt;______. &lt;em&gt;Casos do Beco das Sardinheiras&lt;/em&gt;. 6 ed. Lisboa: Caminho, 1991.&lt;br /&gt;______. &lt;em&gt;Contos da Sétima Esfera&lt;/em&gt;. 2 ed. Lisboa: Caminho, 1990.&lt;br /&gt;______. &lt;em&gt;Contos vagabundos&lt;/em&gt;. Lisboa: Caminho, 2000.&lt;br /&gt;______. &lt;em&gt;Contos soltos&lt;/em&gt;. Lisboa: Quatro Elementos, 1985.&lt;br /&gt;______. &lt;em&gt;A inaudita guerra da Avenida Gago Coutinho e outras histórias&lt;/em&gt;. 3 ed. Lisboa: Caminho, 1992.&lt;br /&gt;______. &lt;em&gt;Quatrocentos mil sestércios seguido de O Conde Jano&lt;/em&gt;. Lisboa: Caminho, 1991.&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;As inscrições são totalmente grátis e devem ser solicitadas pelo email &lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;a href="mailto:sepel.uerj@oi.com.br"&gt;&lt;span style="font-family:verdana;font-size:180%;"&gt;&lt;strong&gt;sepel.uerj@oi.com.br&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;strong&gt;&lt;span style="font-family:verdana;"&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Os inscritos com freqüência mínima de 75% terão direito a certificado com o total de carga horária do curso. As vagas são limitadas, inicialmente, a 30 (trinta) alunos.&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2686957498435565420-6608278598776077414?l=insolito-ficcional.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://insolito-ficcional.blogspot.com/feeds/6608278598776077414/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2686957498435565420&amp;postID=6608278598776077414' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2686957498435565420/posts/default/6608278598776077414'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2686957498435565420/posts/default/6608278598776077414'/><link rel='alternate' type='text/html' href='http://insolito-ficcional.blogspot.com/2008/01/sepel.html' title=''/><author><name>Reflexões sobre o insólito na narrativa ficcional</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2686957498435565420.post-6531508425201468664</id><published>2007-09-25T09:16:00.000-07:00</published><updated>2008-01-20T11:12:38.757-08:00</updated><title type='text'></title><content type='html'>&lt;div align="center"&gt;&lt;span style="color:#000066;"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;&lt;span style="font-size:180%;"&gt;SePEL.UERJ-Seminário Permanente de Estudos Literários&lt;br /&gt;&lt;/span&gt;Projeto de Extensão universitária que promove cursos livres, eventos e publicações acadêmico-científicos&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family:arial;color:#000066;"&gt;&lt;strong&gt;Grupo de Pesquisa/Diretório CNPq “Estudos Literários: Literatura; outras linguagens; outros discursos”&lt;br /&gt;Núcleo de Desenvolimento Lingüístico (&lt;/strong&gt;&lt;/span&gt;&lt;a href="http://programandl.blogspot.com/"&gt;&lt;span style="font-family:arial;color:#000066;"&gt;&lt;strong&gt;http://programandl.blogspot.com&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:arial;color:#000066;"&gt;&lt;strong&gt;)&lt;br /&gt;Publicações Dialogarts (&lt;/strong&gt;&lt;/span&gt;&lt;a href="http://www.dialogarts.uerj.br/"&gt;&lt;span style="font-family:arial;color:#000066;"&gt;&lt;strong&gt;http://www.dialogarts.uerj.br/&lt;/strong&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="color:#000066;"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;) &lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;/div&gt;&lt;span style="font-family:arial;color:#000066;"&gt;&lt;strong&gt;&lt;div align="center"&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-family:arial;color:#000066;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family:arial;color:#000066;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family:arial;color:#000066;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family:arial;color:#000066;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family:arial;font-size:180%;color:#000066;"&gt;&lt;strong&gt;III Painel&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;span style="font-family:Arial;font-size:180%;color:#000066;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="color:#000066;"&gt;&lt;span style="font-family:arial;font-size:180%;"&gt;&lt;strong&gt;“Reflexões sobre o insólito na narrativa ficcional”:&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="color:#000066;"&gt;&lt;span style="font-family:arial;font-size:180%;"&gt;&lt;strong&gt;o insólito na literatura e no cinema&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family:arial;"&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;span style="color:#000066;"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;&lt;span style="font-size:180%;"&gt;8, 9 e 10 de janeiro de 2008&lt;br /&gt;FFP/UERJ-São Gonçalo&lt;br /&gt;Rua Dr. Francisco Portela, 794&lt;br /&gt;Paraíso, São Gonçalo, RJ&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="color:#000066;"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;&lt;span style="font-size:180%;"&gt;&lt;br /&gt;&lt;/div&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;div align="center"&gt;&lt;span style="color:#000066;"&gt;&lt;span style="font-family:arial;font-size:130%;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="color:#000066;"&gt;&lt;span style="font-family:arial;font-size:180%;"&gt;&lt;strong&gt;Resumos das Comunicações publicados em:&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="color:#000066;"&gt;&lt;span style="font-family:arial;font-size:130%;"&gt;&lt;strong&gt;&lt;a href="http://www.dialogarts.uerj.br/avulsos/CadernodeResumos/CADERNODERESUMOS.pdf"&gt;http://www.dialogarts.uerj.br/avulsos/CadernodeResumos/CADERNODERESUMOS.pdf&lt;/a&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;strong&gt;&lt;span style="font-size:180%;color:#000066;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-size:180%;"&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="color:#000066;"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;&lt;/div&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;div align="center"&gt;&lt;span style="color:#000066;"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="color:#000066;"&gt;&lt;span style="font-family:arial;font-size:180%;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="color:#000066;"&gt;&lt;span style="font-family:arial;font-size:180%;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="color:#000066;"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;&lt;span style="font-size:180%;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="color:#000066;"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;&lt;span style="font-size:180%;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="color:#000066;"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;&lt;span style="font-size:180%;"&gt;&lt;br /&gt;&lt;br /&gt;Grade de Programação&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;/div&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="color:#000066;"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;&lt;p align="center"&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;Terça-feira, dia 8 de janeiro&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;8:00 / 9:00 – CREDENCIAMENTO E ENTREGA DE MATERIAL&lt;br /&gt;&lt;br /&gt;9:00/ 9:30 – CERIMONIAL DE ABERTURA&lt;/span&gt;&lt;/p&gt;&lt;p align="center"&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;9:45 / 12:00 – MESA-REDONDA&lt;br /&gt;O insólito na construção da narrativa&lt;/span&gt;&lt;br /&gt;Flavio García (coord.) – Professor Adjunto UERJ/ UNISUAM&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Introdução ao insólito no conto: do fantástico ao real maravilhoso&lt;br /&gt;&lt;/span&gt;Leonardo Vieira de Almeida – Doutorando em Estudos de Literatura Brasileira PUC-RJ&lt;br /&gt;&lt;span style="font-size:130%;"&gt;O insólito em Shame, de Salman Rushdie&lt;br /&gt;&lt;/span&gt;Shirley Carreira – Professor Adjunto UNIGRANRIO&lt;br /&gt;&lt;span style="font-size:130%;"&gt;O Gótico e o desejo erótico: uma questão insólita&lt;/span&gt;&lt;br /&gt;Maria Conceição Monteiro – Professor Titular UERJ&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;13:15 / 15:15 – SESSÃO DE COMUNICAÇÕES (1)&lt;br /&gt;A experiência mística do insólito&lt;br /&gt;na literatura experimental brasileira contemporânea&lt;br /&gt;&lt;/span&gt;Eduardo Guerreiro Brito Losso – Uni Leipzig/ UFRJ – Coordenador da sessão&lt;br /&gt;&lt;span style="font-size:130%;"&gt;O não-aqui e o não-hoje: a ficção e o incontínuo espaço-temporal&lt;/span&gt;&lt;br /&gt;Gabriel da Matta – UERJ&lt;br /&gt;&lt;span style="font-size:130%;"&gt;O insólito na narrativa de José Jacinto Veiga&lt;br /&gt;&lt;/span&gt;Juliano Carrupt do Nascimento – UFRJ&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Reflexões sobre um possível insólito na narrativa de Sérgio Sant`Ana:&lt;br /&gt;uma leitura do narrador em “Monstro" sob a ótica da “pós-modernidade&lt;/span&gt;&lt;br /&gt;Augusto Brito Montano – UFF&lt;br /&gt;&lt;span style="font-size:130%;"&gt;O tempo da escritura em obras finais de Clarice Lispector&lt;br /&gt;&lt;/span&gt;Edson Ribeiro da Silva – UEL&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Insólito-parnasiano em “O Espelho”, de Machado de Assis&lt;br /&gt;&lt;/span&gt;&lt;span style="font-size:100%;"&gt;Camilo Cavalcanti – UFRJ&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;15:30 / 17:45 – SESSÃO DE COMUNICAÇÕES (2)&lt;br /&gt;O insólito em O motoqueiro fantasma: dos quadrinhos à tela do cinema&lt;/span&gt;&lt;br /&gt;Luciana Morais da Silva – UERJ – Coordenadora da sessão&lt;br /&gt;&lt;span style="font-size:130%;"&gt;O insólito medieval na literatura e no cinema: manifestações do Maravilhoso&lt;/span&gt;&lt;br /&gt;Michelle de Oliveira – UERJ&lt;br /&gt;&lt;span style="font-size:130%;"&gt;O insólito novecentista na literatura e no cinema:&lt;br /&gt;manifestações do Realismo Maravilhoso&lt;br /&gt;&lt;/span&gt;Fagner Farias Damasceno – UERJ&lt;br /&gt;&lt;span style="font-size:130%;"&gt;O insólito em A casa do lago:&lt;br /&gt;manifestações do insólito na Contemporaneidade&lt;/span&gt;&lt;br /&gt;Luana Castro dos Santos Braz – UERJ&lt;br /&gt;&lt;span style="font-size:130%;"&gt;O insólito em Drácula: marcas do Terror&lt;/span&gt;&lt;br /&gt;Monique Paulenak da Silva – UERJ&lt;br /&gt;&lt;span style="font-size:130%;"&gt;O Insólito em Efeito Borboleta:&lt;br /&gt;a (re)construção de identidades e realidades na Pós-Modernidade&lt;br /&gt;&lt;/span&gt;Adilson Soares da Silva Júnior – UERJ&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;18:00 / 19:45 – SESSÃO DE COMUNICAÇÕES (3)&lt;br /&gt;O insólito no Decadentismo: Huysmans em Às Avessas&lt;br /&gt;&lt;/span&gt;Jacob Isaacc Birer Junior – PUC-RJ – Coordenador da sessão&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Absurdo e Insólito Banalizado: gêneros ou categorias de gênero?&lt;br /&gt;&lt;/span&gt;Aline de Almeida Moura – UERJ&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Estranho, Fantástico e Sobrenatural:&lt;br /&gt;três gêneros ou categorias de um macro-gênero?&lt;/span&gt;&lt;br /&gt;Marina Pozes Pereira Santos – UERJ&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Maravilhoso e Realismo Maravilhoso: leituras do Medievo na Pós-Modernidade&lt;/span&gt;&lt;br /&gt;Thalita Martins Nogueira – UERJ&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;Quarta-feira, dia 9 de janeiro&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;09:00 / 10:45 – SESSÃO DE COMUNICAÇÕES (4)&lt;br /&gt;A odisséia espacial do bombeiro andróide na Grande Catástrofe:&lt;br /&gt;futuros distópicos no cinema e na literatura&lt;br /&gt;&lt;/span&gt;Marco Medeiros – UERJ – Coordenador da sessão&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Desmundo: construção e desconstrução narrativa&lt;br /&gt;no romance de Ana Miranda e na transposição fílmica&lt;/span&gt;&lt;br /&gt;Luiz Renato de Souza Pinto – AJES-MT&lt;br /&gt;&lt;span style="font-size:130%;"&gt;A insólita experiência do tempo intempestivo no filme&lt;br /&gt;Lavoura arcaica e suas incidências sobre a narrativa:&lt;br /&gt;inflexões para a subjetividade&lt;br /&gt;&lt;/span&gt;Fabio Montalvão Soares – UFF&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Relações entre Terra em Transe, Avalovara, Glauber Rocha e Osman Lins&lt;/span&gt;&lt;br /&gt;Leonardo Monteiro Trotta – UFRJ&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;11:00 / 12:45 – SESSÃO DE COMUNICAÇÕES (5)&lt;br /&gt;Entre a realidade e a fantasia em A Invenção de Morel de Adolfo Bioy Casares&lt;br /&gt;&lt;/span&gt;Bárbara Maia das Neves – UFRJ/ UNESA/ Souza Marques – Coordenadora da sessão&lt;br /&gt;&lt;span style="font-size:130%;"&gt;A interpretação de contos literários hispano-americanos&lt;br /&gt;para os alunos das escolas públicas&lt;/span&gt;&lt;br /&gt;Luciana Aparecida da Silva – UGF/ SME-RJ/ SEE-RJ&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Aqui ou mais além, “de noite sou teu cavalo” –&lt;br /&gt;uma análise da emergência do insólito no conto de Luisa Valenzuela&lt;br /&gt;&lt;/span&gt;Viviane Soares Fialho de Araujo – UFRJ&lt;br /&gt;&lt;span style="font-size:130%;"&gt;A cultura tradicional banto-angolana e o insólito:&lt;br /&gt;A Árvore que tinha batucada&lt;br /&gt;&lt;/span&gt;Thaís Santos – UFRJ&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;14:00 / 15:45 – SESSÃO DE COMUNICAÇÕES (6)&lt;br /&gt;A linguagem profético-apocalíptica:uma visão inusitada do Cosmos e da história humana&lt;br /&gt;&lt;/span&gt;Pedro Paulo Alves dos Santos – UNESA/ PUC-RJ – Coordenador da sessão&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Emygdio de Barros: a pintura como narrativa&lt;/span&gt;&lt;br /&gt;Glória Thereza Chan – UFRJ&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Poética do entulhamento&lt;/span&gt;&lt;br /&gt;Ricardo Alexandre Rodrigues – UFRJ&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Você tem medo de quê?&lt;br /&gt;&lt;/span&gt;Maximiano Laureano da Silva – UERJ&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;16:00 / 17:45 – MESA-REDONDA&lt;br /&gt;O insólito na recepção da narrativa&lt;br /&gt;&lt;/span&gt;Marcello de Oliveira Pinto (coord.) – Professor Adjunto UERJ/ Souza Marques&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Recepção e pluralidade de sentidos: texto e hipertextualidade&lt;br /&gt;&lt;/span&gt;Nelson Rodrigues filho – Professor Titular UGF&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Construção de realidades e percepção do insólito&lt;br /&gt;&lt;/span&gt;Daniela Beccaccia Versiani – Professor Adjunto FAPERJ/ PUC-RJ&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;18:00 / 19:45 – SESSÃO DE COMUNICAÇÕES (7)&lt;br /&gt;O insólito como máscara da transgressão: reflexões sobre A Confissão de Lúcio&lt;br /&gt;&lt;/span&gt;Tatiana Alves Soares Caldas – UNESA/ UniverCidade/ FAP – Coordenadora da sessão&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Em busca do eu: à volta dos passos herbertianos&lt;br /&gt;&lt;/span&gt;André Luiz Alves Caldas Amora – PUC-RJ/ FAP&lt;br /&gt;&lt;span style="font-size:130%;"&gt;A banalização do insólito em Mário de Carvalho&lt;br /&gt;&lt;/span&gt;Sérgio Ribeiro Granja – UERJ&lt;br /&gt;&lt;span style="font-size:130%;"&gt;A ilustre presença do insólito em Ensaio sobre a cegueira, de José Saramago&lt;br /&gt;&lt;/span&gt;Jaqueline Nunes da Fonseca Cosendey – UERJ&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Seria Deus insólito? A construção da figura divina em Mário de Carvalho&lt;br /&gt;&lt;/span&gt;Angélica Maria Santana Batista – UERJ&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;Quinta-feira, dia 10 de janeiro&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;09:00 / 10:45 – MESA-REDONDA&lt;br /&gt;O insólito na Literatura Infanto-Juvenil&lt;br /&gt;&lt;/span&gt;Regina Michelli (coord.) – Professor Adjunto UERJ/ UNISUAM&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Ainda a literatura do medo&lt;br /&gt;&lt;/span&gt;Sônia Monnerat Barbosa – Professor Associado UFF&lt;br /&gt;&lt;span style="font-size:130%;"&gt;As margens de uma linha tênue: fantástico e maravilhoso na literatura infantil&lt;/span&gt;&lt;br /&gt;Luci Ruas – Professor Adjunto UFRJ/ UGF&lt;/p&gt;&lt;p align="center"&gt;&lt;span style="font-size:130%;"&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;11:00 / 12:45 – SESSÃO DE COMUNICAÇÕES (8)&lt;br /&gt;A menina através do espelho: Uma fábula sobre o imaginário infantil&lt;/span&gt;&lt;br /&gt;Alexandre Guimarães Moreira – UFRJ – Coordenador da sessão&lt;br /&gt;&lt;span style="font-size:130%;"&gt;O insólito em Pinóquio&lt;br /&gt;&lt;/span&gt;Tânia Marques da Silva – UERJ&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Entre as fronteiras do faz-de-conta e de-verdade na literatura infanto-juvenil:&lt;br /&gt;a magia na reconstrução de mundo em&lt;br /&gt;A terra dos meninos pelados, Peter Pan e A chave do tamanho&lt;br /&gt;&lt;/span&gt;Rafaela Cardoso Corrêa – UFF&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Um olhar sobre a fada contemporânea: Onde tem bruxa, tem fada&lt;/span&gt;&lt;br /&gt;Daniel Simões Santos Massa – UERJ&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;14:00 / 15:45 – SESSÃO DE COMUNICAÇÕES (9)&lt;br /&gt;Quem tem medo do lobo mau? O lobisomem como símbolo da alteridade&lt;/span&gt;&lt;br /&gt;Alexander Meireles da Silva – ISAT / UNIABEU – Coordenador da sessão&lt;br /&gt;e Jane Guimarães Felizardo – ISAT&lt;br /&gt;&lt;span style="font-size:130%;"&gt;De olho nas penas:&lt;br /&gt;a construção do discurso fundador brasileiro na ficção de Ana Maria Machado&lt;br /&gt;&lt;/span&gt;Carlos Alberto da Conceição Feliciano – UERJ&lt;br /&gt;&lt;span style="font-size:130%;"&gt;O conto de Cinderela e suas re-significações: a imagem para/na educação&lt;br /&gt;&lt;/span&gt;Renata do Nascimento de Souza e Denise Barreto da Silva – UERJ&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;16:00 / 17:45 – MESA-REDONDA&lt;br /&gt;O insólito e o sólito em tensão na narrativa&lt;br /&gt;&lt;/span&gt;Maria Geralda de Miranda (coord.) – Professor Adjunto UNISUAM/UNESA&lt;br /&gt;&lt;span style="font-size:130%;"&gt;A narrativa africana de língua portuguesa em questão: sólito vs. insólito&lt;br /&gt;&lt;/span&gt;Jurema José de Oliveira – Bolsista Estágio Pós-Doutoral FAPERJ/ UFF&lt;br /&gt;&lt;span style="font-size:130%;"&gt;O insólito na literatura moçambicana&lt;/span&gt;&lt;br /&gt;Robson Lacerda Dutra – Bolsista Estágio Pós-Doutoral FAPERJ/ UERJ&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;18:00 / 19:45 – CONFERÊNCIA DE ENCERRAMENTO&lt;br /&gt;O Simulacro do Simulacro do Simulacro&lt;br /&gt;&lt;/span&gt;Gustavo Bernardo Krause – Professor Adjunto UERJ&lt;br /&gt;&lt;/p&gt;&lt;p align="center"&gt;&lt;/p&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="color:#000066;"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;p align="center"&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="color:#000066;"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p align="center"&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="color:#000066;"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p align="center"&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="color:#000066;"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p align="center"&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="color:#000066;"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="color:#000066;"&gt;&lt;span style="font-family:arial;font-size:180%;"&gt;&lt;strong&gt;&lt;p align="center"&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="color:#000066;"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:arial;font-size:130%;color:#000066;"&gt;&lt;strong&gt;CONTATO:&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;div align="center"&gt;&lt;a href="mailto:sepel.uerj@oi.com.br"&gt;&lt;span style="font-family:arial;font-size:130%;color:#000066;"&gt;&lt;em&gt;&lt;strong&gt;sepel.uerj@oi.com.br&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/a&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family:arial;font-size:130%;color:#000066;"&gt;&lt;strong&gt;Rua Morro do Pilar, s/nº, lote 18, quadra 11&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family:arial;font-size:130%;color:#000066;"&gt;&lt;strong&gt;Guaratiba, Rio de Janeiro, RJ, CEP 23.026-450&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family:arial;color:#000066;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;p&gt;&lt;span style="font-family:arial;color:#000066;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;p&gt;&lt;span style="font-family:arial;color:#000066;"&gt;&lt;strong&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/p&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;strong&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-family:arial;color:#000066;"&gt;VISITE &lt;/span&gt;&lt;em&gt;&lt;a href="http://www.dialogarts.uerj.br/"&gt;&lt;span style="font-family:arial;color:#000066;"&gt;http://www.dialogarts.uerj.br&lt;/span&gt;&lt;/a&gt; &lt;/em&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2686957498435565420-6531508425201468664?l=insolito-ficcional.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://insolito-ficcional.blogspot.com/feeds/6531508425201468664/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2686957498435565420&amp;postID=6531508425201468664' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2686957498435565420/posts/default/6531508425201468664'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2686957498435565420/posts/default/6531508425201468664'/><link rel='alternate' type='text/html' href='http://insolito-ficcional.blogspot.com/2007/09/iii-painel-reflexes-sobre-o-inslito-na.html' title=''/><author><name>Reflexões sobre o insólito na narrativa ficcional</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2686957498435565420.post-2436734631659636026</id><published>2007-08-31T06:03:00.000-07:00</published><updated>2007-08-31T06:11:59.866-07:00</updated><title type='text'></title><content type='html'>&lt;div align="center"&gt;&lt;span style="font-family:arial;font-size:180%;"&gt;&lt;strong&gt;SePEL.UERJ&lt;/strong&gt; - Seminário Permanente de Estudos Literários&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-size:85%;"&gt;Projeto de Extensão universitária que promove cursos livres, eventos e publicações acadêmico-científicos&lt;br /&gt;Grupo de Pesquisa/Diretório CNPq “Estudos Literários: Literatura; outras linguagens; outros discursos”&lt;br /&gt;Coordenação da Pós-Graduação Lato Sensu em Estudos Literários da UERJ&lt;br /&gt;Publicações Dialogarts (http://www.dialogarts.uerj.br)&lt;br /&gt;Núcleo de Estudos Lingüísticos&lt;/span&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family:arial;"&gt;&lt;p align="center"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:verdana;font-size:180%;"&gt;&lt;strong&gt;Reflexões sobre o insólito&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-family:verdana;"&gt;&lt;strong&gt;na literatura e no cinema&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;p align="center"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;Filmes, mesas-redondas e debates,&lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;/p&gt;&lt;div align="center"&gt;&lt;span style="font-family:arial;font-size:180%;"&gt;&lt;strong&gt;às segundas segundas-feiras de cada mês,&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;div align="center"&gt;&lt;span style="font-family:arial;font-size:180%;"&gt;&lt;strong&gt;das 12:30 às 16:00&lt;/strong&gt;&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;&lt;span style="font-family:arial;font-size:180%;"&gt;FFP/UERJ-São Gonçalo&lt;br /&gt;Rua Dr. Francisco Portela, 794&lt;br /&gt;Paraíso, São Gonçalo, RJ&lt;/span&gt;&lt;/div&gt;&lt;span style="font-family:arial;font-size:130%;"&gt;&lt;div align="center"&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;font-size:180%;"&gt;10/09/07&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;strong&gt;Harry &lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style="font-family:arial;font-size:180%;"&gt;&lt;span style="font-family:verdana;"&gt;&lt;strong&gt;Potter e a pedra filosofal&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;Moderador: Prof. Dr. Armando Gens (UERJ/ UFRJ)&lt;br /&gt;&lt;br /&gt;08/10/07&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;strong&gt;Excalibur&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;Moderador: Prof.ª Dr.ª Regina Michelli (UERJ/ UNISUAM)&lt;br /&gt;&lt;br /&gt;12/11/07&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;strong&gt;O labirinto do fauno&lt;/strong&gt;&lt;/span&gt;&lt;br /&gt;Moderador: Prof. Dr. Flavio García (UERJ/ UNISUAM)&lt;br /&gt;&lt;br /&gt;10/12/07&lt;br /&gt;&lt;span style="font-family:verdana;"&gt;&lt;strong&gt;A espera de um Milagre&lt;br /&gt;&lt;/strong&gt;&lt;/span&gt;Moderador: Prof. Dr. Marcello de Oliveira Pinto &lt;/span&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-family:arial;"&gt;(UERJ/ Souza Marques)&lt;br /&gt;&lt;br /&gt;&lt;/span&gt;&lt;span style="font-family:arial;"&gt;&lt;strong&gt;Informações e inscrições através do email &lt;/strong&gt;&lt;/span&gt;&lt;/span&gt;&lt;a href="mailto:sepel.uerj@oi.com.br"&gt;&lt;span style="font-family:arial;font-size:180%;"&gt;&lt;em&gt;&lt;strong&gt;sepel.uerj@oi.com.br&lt;/strong&gt;&lt;/em&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-family:arial;font-size:180%;"&gt;.&lt;/span&gt;&lt;/div&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2686957498435565420-2436734631659636026?l=insolito-ficcional.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://insolito-ficcional.blogspot.com/feeds/2436734631659636026/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2686957498435565420&amp;postID=2436734631659636026' title='0 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2686957498435565420/posts/default/2436734631659636026'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2686957498435565420/posts/default/2436734631659636026'/><link rel='alternate' type='text/html' href='http://insolito-ficcional.blogspot.com/2007/08/curso-livre-de-extenso-gratuito.html' title=''/><author><name>Reflexões sobre o insólito na narrativa ficcional</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-2686957498435565420.post-3631326274620329005</id><published>2007-07-21T12:20:00.000-07:00</published><updated>2007-08-31T06:15:31.356-07:00</updated><title type='text'>II Painel Reflexões sobre o insólito na narrativa ficcional: o insólito na narrativa rubiana</title><content type='html'>&lt;p&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-size:180%;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-size:180%;"&gt;&lt;span style="font-size:180%;"&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;p&gt;&lt;strong&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-family:arial;"&gt;&lt;span style="font-size:180%;"&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;p&gt;&lt;strong&gt;&lt;span style="font-family:arial;"&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;&lt;span style="font-size:180%;"&gt;7 de agosto – terça-feira&lt;/span&gt;&lt;br /&gt;&lt;/span&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Das 09:00 às 10:00 – Credenciamento&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Das 10:00 às 12:00 - Conferência de Abertura:&lt;br /&gt;&lt;/span&gt;O poético e a realidade: o insólito&lt;br /&gt;Prof. Dr. Manuel António de Castro (Titular de Poética da UFRJ)&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Das 13:30 às 15:30 – Comunicações livres&lt;/span&gt;&lt;br /&gt;Eduardo Luciano Campos – UERJ&lt;br /&gt;A barbárie: uma reflexão do insólito na contemporaneidade&lt;br /&gt;&lt;br /&gt;Fábio Santana Pessanha - UFRJ&lt;br /&gt;O insólito na dimensão do poético: o movimento de um questionar&lt;br /&gt;&lt;br /&gt;Rodrigo da Costa Araujo – UFF&lt;br /&gt;Fantástico, (des)montagem e metalinguagem no conto “As Formigas”, de Lygia Fagundes Telles&lt;br /&gt;&lt;br /&gt;Tatiana Alves Soares Caldas – UNESA / UniverCidade / FAP&lt;br /&gt;De bruxas e maldições: uma leitura do insólito n’A Mãe de um rio&lt;br /&gt;&lt;br /&gt;Tatiana Oliveira – UERJ&lt;br /&gt;O Insólito na narrativa de Poe: um olhar sobre a sociedade contemporânea em deriva&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Das 16:00 às 18:00 – Comunicações coordenadas&lt;/span&gt;&lt;br /&gt;Jordão Pablo Rodrigues de Pão – UERJ&lt;br /&gt;Muito prazer, Rubião: uma breve visita à obra de Murilo&lt;br /&gt;&lt;br /&gt;Luana Castro dos Santos Braz – UERJ&lt;br /&gt;"O Pirotécnico Zacarias" se enquadra no Fantástico ou no Insólito Banalizado?&lt;br /&gt;&lt;br /&gt;Luciana Morais da Silva – UERJ&lt;br /&gt;O Insólito em “Mariazinha”, de Murilo Rubião&lt;br /&gt;&lt;br /&gt;Luciana Policarpo dos Santos – UERJ&lt;br /&gt;A manifestação do insólito nas narrativas ficcionais de Murilo Rubião: “Bárbara” e “Bruma” (a Estrela vermelha)&lt;br /&gt;&lt;br /&gt;Michelle de Oliveira – UERJ&lt;br /&gt;O insólito como uma categoria constitutiva de gênero: um percurso do Maravilhoso ao Insólito Banalizado&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;8 de agosto – quarta-feira&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Das 09:00 às 12:00 - Mesa-redonda sobre&lt;/span&gt;&lt;br /&gt;O insólito na narrativa ficcional: diferentes pontos de vistas e modos de abordagem&lt;br /&gt;Prof. Dr. Flavio García&lt;br /&gt;O Insólito como categoria de gênero&lt;br /&gt;&lt;br /&gt;Prof. Dr. Marcello de Oliveira Pinto&lt;br /&gt;Construindo realidades: nós, a literatura e o insólito&lt;br /&gt;&lt;br /&gt;Prof.ª Dr.ª Regina Michelli e Daniel Simões Santos Massa (Bolsista PIBIC-CNPq)&lt;br /&gt;Insólito e Maravilhoso: aproximações e entrelaçamentos na Literatura Infanto-Juvenil&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Das 13:30 às 15:30 – Comunicações coordenadas&lt;/span&gt;&lt;br /&gt;Adilson Soares da Silva Júnior – UERJ&lt;br /&gt;O insólito na construção da personagem: um processo de desumanização&lt;br /&gt;&lt;br /&gt;Angélica Maria Santana Batista – UERJ&lt;br /&gt;O outro como insólito: considerações acerca A hora dos ruminantes, de J.J. Veiga e “A diáspora”, de Murilo Rubião&lt;br /&gt;&lt;br /&gt;Fernanda Fontoura – UERJ&lt;br /&gt;O Efeito da Morte em Murilo Rubião&lt;br /&gt;&lt;br /&gt;Rafaela Cardoso Corrêa – UFF&lt;br /&gt;Universos Literários Insólitos: aproximações e distanciamentos entre as narrativas “Teleco, o coelhinho” e Pinocchio&lt;br /&gt;&lt;br /&gt;Thalita Martins Nogueira – UERJ&lt;br /&gt;Crise de identidade e perda de valores sociais como resultado da Pós-Modernidade: características recorrentes na obra rubiana, que tem eventos insólitos como sua marca principal&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Das 16:00 às 18:00 – Comunicações livres&lt;/span&gt;&lt;br /&gt;José Carlos Pinheiro Prioste – UNEMAT&lt;br /&gt;“O Insólito” na Literatura&lt;br /&gt;&lt;br /&gt;Andréa Castello Guimarães – UERJ&lt;br /&gt;Passeando pelo Beco das Sardinheiras: a banalização do insólito na narrativa contemporânea&lt;br /&gt;&lt;br /&gt;Juliana Garcia Santos da Silva – UERJ&lt;br /&gt;O absurdo banalizado: o insólito incorporado ao quotidiano na ficção de Mário de Carvalho&lt;br /&gt;&lt;br /&gt;Jurema José de Oliveira – UFF&lt;br /&gt;A narrativa africana de língua portuguesa em questão: sólito vs. insólito&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:180%;"&gt;9 de agosto – quinta-feira&lt;/span&gt;&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Das 09:00 às 12:00 - Mini-curso:&lt;br /&gt;&lt;/span&gt;O insólito nos gêneros da tradição: fundamentação histórico-teórica e leituras crítico-analíticas&lt;br /&gt;Angélica Maria Santana Batista – UERJ&lt;br /&gt;Aline de Almeida Moura – UERJ&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Das 13:30 às 15:30 – Comunicações coordenadas&lt;/span&gt;&lt;br /&gt;Aline de Almeida Moura – UERJ&lt;br /&gt;As personagens rubianas: “O ex-mágico da taberna minhota” e “O pirotécnico Zacarias” sob a perspectiva do existencialismo sartreano&lt;br /&gt;&lt;br /&gt;Eveline Coelho Cardoso – UERJ&lt;br /&gt;Temas, títulos e epígrafes em Murilo Rubião: reflexões a partir de “Alfredo” e “Os dragões”&lt;br /&gt;&lt;br /&gt;Marina Pozes Pereira Santos – UERJ&lt;br /&gt;A construção das personagens nas narrativas rubianas: a relação das personagens com o insólito em “O Pirotécnico Zacarias” e “Os Dragões”&lt;br /&gt;&lt;br /&gt;Monique Paulenak da Silva – UERJ&lt;br /&gt;O Insólito na narrativa de Murilo Rubião: uma questão de Tempo&lt;br /&gt;&lt;br /&gt;Marco Aurélio Pinheiro de Medeiros – UERJ&lt;br /&gt;A pós-utopia insólita: olhares sobre a narrativa de Murilo Rubião&lt;br /&gt;&lt;br /&gt;&lt;span style="font-size:130%;"&gt;Das 16:00 às 18:00 – ENCERRAMENTO&lt;/span&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/p&gt;&lt;div class="blogger-post-footer"&gt;&lt;img width='1' height='1' src='https://blogger.googleusercontent.com/tracker/2686957498435565420-3631326274620329005?l=insolito-ficcional.blogspot.com' alt='' /&gt;&lt;/div&gt;</content><link rel='replies' type='application/atom+xml' href='http://insolito-ficcional.blogspot.com/feeds/3631326274620329005/comments/default' title='Postar comentários'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=2686957498435565420&amp;postID=3631326274620329005' title='3 Comentários'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/2686957498435565420/posts/default/3631326274620329005'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/2686957498435565420/posts/default/3631326274620329005'/><link rel='alternate' type='text/html' href='http://insolito-ficcional.blogspot.com/2007/07/programao-do-painel.html' title='II Painel Reflexões sobre o insólito na narrativa ficcional: o insólito na narrativa rubiana'/><author><name>Reflexões sobre o insólito na narrativa ficcional</name><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='16' height='16' src='http://img2.blogblog.com/img/b16-rounded.gif'/></author><thr:total>3</thr:total></entry></feed>
